Entretenimendu saioen garrantzia Euskal Telebistan aro digitalean. Euskarazko ikus-entzunezko eduki entretenigarrien inguruko hausnarketa.
Mots-clés :
Euskal Telebista, Entretenimendua, Digitalizazioa, Telebista publikoa, Ikus-entzunezkoak, Eduki entretenigarriak, Telebista, Euskara.Résumé
Egungo garaiari aro digitala deitu ohi zaio, teknologia berri honek gizartearen esparru gehienetan eta mundu zabalean duen eragin nabarmena azpimarratzeko. Telebista jarduerarekin lotura zuzena du digitalizazioak eta, beraz, baita Euskal Telebistarekin ere. Aro digitalak sortu duen agertoki berriak zailtasunak eta aukerak eskaintzen dizkio euskal telebista publikoa den erakunde honi, hasieratik dituen helburuak eta zereginak betetzeko. Horren inguruko hausnarketa egin nahi da artikulu honetan, ikus-entzunezko eduki entretenigarriei arreta eskainiz batez ere. Horrela, Euskal Telebistaren helburuak lortu ahal izateko entretenimenduzko edukiek duten garrantzia azalduko dugu. Horretarako digitalizazioak eta aurrerapen teknologikoek ekarri duten erakustoki berri honen ezaugarriak aztertuko dira, mehatxuak eta aukerak identifikatzeko premiazkoa den hausnarketa eginaz.Références
BIBLIOGRAFIA
AMEZAGA, Josu, Edorta Arana, Bea Narbaiza & Patxi Azpillaga (2013). The public Sphere and Normalization of Minority Languages. An Analysis of Basque Television in Light of Other Experiences in Europe. In Tripodos. 2013/32 (93-111 or.).
ARANA, Edorta, Itziar Azpeitia I., Rebeka Garai, Bea Narbaiza et al (2019). Unibertsitateko ikasleen ikus-entzunezko kontsumoa’. In Libe Mimenza (edit.) Euskal Hedabideen Urtekaria 2018 (189-205 or.). Leioa: Behategia.
ARANA, Edorta, Asier Amézaga, Maite Egia et al (2021). Gazteen artean ikus-entzunezko kontsumoa astindu zuen birusa. In Libe Mimenza (edit.) Euskal Hedabideen Urtekaria 2020 (105-120 or.). Leioa: Behategia.
ARANA, Edorta, Josu Amézaga and Patxi Azpillaga (2014). Mass Media in the Basque Language. Bilbao: UPV-EHU- Argitalpen Zerbitzua.
ARANBERRI, Luis A. (1996). Intelektualak, Telebista eta Multimedia. Vitoria-Gasteiz: Diputación Foral de Alava - Departamento de Cultura y Euskera.
AZPEITIA IRURETAGOIENA, Itziar (2012). Euskal Telebista (Telebista Publikoa, Autonomikoa). Kultur identitatea, programazioa eta programak. Entretenimendu formatuak. Paper presented at XV Forum for Iberian Studies. National Identities at the Intersection: Literature and visual media. Oxford University. Oxford, UK. June 2012.
AZPEITIA IRURETAGOIENA, Itziar (2016). TV Entertainment and the Basque Public Television, Euskal Telebista, in the digital era: Reflections about entertainment audiovisual content in Basque. Paper presented at DIGITARO – Euskarazko Komunikazioaren Nazioarteko II. Biltzarra. Bilbo, October 2016.
AZPEITIA IRURETAGOIENA, Itziar (2019). Beyond negativity on television entertainment: positive perspectives and research on its contribution to public television. Additional analysis: the Basque night-show magazine Sorginen Laratza at Euskal Telebista. Doctoral Thesis. UPV/EHU. Leioa, Bizkaia. URI: https://addi.ehu.es/handle/10810/38589
AZPEITIA IRURETAGOIENA, Itziar (2019b). Audiovisual content in Basque: TV matters in the digital era. Paper presented at Crowded out or limitless horizons? Minority language media in the digital age. (Key speaker). University of Edinburgh, Scotland, UK. October 2019.
AZPEITIA IRURETAGOIENA, Itziar (2020a). Covid-19aren eragina telebista jardueran. Nazioarte begirada. EITB – Barne txostena. Ekaina 2020.
AZPEITIA IRURETAGOIENA, Itziar (2020b). Research on Television: a Proposal for a Multidisciplinary Method. Comunicación y Métodos | Communication & Methods, 2(1),141-161. doi:10.35951/v2i1.72
AZPEITIA IRURETAGOIENA, Itziar (2021). Public broadcasting and minority languages in the current audio-visual context: facing new challenges and seeking opportunities in the new media ecosystem. Paper presented at ICML XVIII – 18th International Conference on Minority Languages. Bilbao, March 2021.
BARKER, Chris (1999). Television, Globalization and Cultural Identities. Buckingham: Open University Press.
BARLOVENTO COMUNICACIÓN (2021a). Análisis de la industria televisiva-audiovisual 2020.
BARLOVENTO COMUNICACIÓN (2021b). El Rosco del Consumo Audiovisual Septiembre 2021.
BENNET, James and Niki Strange (Edit.) (2012). Television as digital media. Durhman and London: Duke University Press.
BERRIA (2015). Albistegiak dira irauteko motorra, kate autonomikoetako buruen ustez. Berria. Irailak 13.
BIGNELL, Jonathan (2013). An Introduction to Television Studies. Third edition. London, New York: Routledge.
CABRERA Blázquez F.J., M. Capello, G. Fontaine and S. Valais (2016). On-demand services and the material scope of the AVMSD. IRIS Plus. European Audiovisual Observatory, Strasbourg, 2016.
CASTELLÓ, Enric (2005). Sèries de ficció i construcció nacional. La producció pròpia de TVC 1994-2003. Doctoral Thesis, Universitat Autònoma de Barcelona.
CASTELLS, Manuel (1997/2004/2010). The Power of Identity: The Information Age: Economy, Society, and Culture. Volume II. UK: Blackwell.
CHALABY, Jean K. (2013). Reflection i: Transnational TV Formats: Making the Local Visible and the Global Invisible. Critical Studies in Television: The International Journal of Television Studies, 8 (2), 54-56.
CHALABY, Jean K. (2016). The Format Age. Television’s Entertainment Revolution. Cambridge, UK: Polity Press.
COMCAST (2020). Streaming in the 2020s. An industry comes of age. The TV 2025 Initiative. Comcast Technology solutions. MTM-June 2020
COMISIÓN EUROPEA (2021a). Los medios de comunicación europeos en la Década Digital: un plan de acción para apoyar su recuperación y transformación. Bruselas, Junio 2021.
COMISIÓN EUROPEA (2021b). Europa Creativa 2021-2027. Desafía los límites. El programa de la UE en apoyo de los sectores cultural y creativo. Luxemburgo: Oficina de publicaciones de la Union Europea.
DELPORT, Dominique (2017). Keynote: Dominique Delport- Vivendi. MipCom 2017. October 18. Cannes, France. https://mipblog.com/2017/10/discovery-vivendi-content-keynotes-mipcom/
DEOGRACIAS, Marijo (2021). Koronabirusak zerbitzu publikoaren izaera itzuli dio Euskal Telebistari. In Libe Mimenza (edit.) Euskal Hedabideen Urtekaria 2020 (169-174 or.). Leioa: Behategia.
DTVE (2021a). Industry Survey 2021. Digital TV Europe. Informa Tech, 2021.
DTVE (2021b). Summer Survey 2021. Digital TV Europe. Informa Tech, 2021.
EBU – MIS (2021). Market Insights.Public Service Media’s Competitive Environment. European Broadcasting Union - Media Intelligence Service. February 2021.
EITB (2018). Líneas estratégicas y proyectos 2017-2020. https://www.eitb.eus/es/grupo-eitb/transparencia/
EITB (2017) – EITB Txostena 2016 Balance.
EITB-EUSKO JAURLARITZA (2016). Contrato-Programa Con El Ente Público Radio Televisión Vasca (EITB) Para El Período 2016-2019. Eusko Jaurlaritza-Gobierno Vasco EITB. https://www.eitb.eus/es/grupo-eitb/transparencia/
EITB-Gardentasuna-Txostenak. https://www.eitb.eus/eu/eitbtaldea/gardentasuna/
EUROPEAN AUDIOVISUAL OBSERVATORY (2020). The European audiovisual industry in the time of Covid-19. Iris-Plus 2020-2. EAO – Council of Europe.
EUROPEAN AUDIOVISUAL OBSERVATORY (2021a).Trends in the VOD market in EU28.
EUROPEAN AUDIOVISUAL OBSERVATORY (2021b). Yearbook 2020/2021. Key Trends. Television, Cinema, Video and On-demand Audiovisual Services – The Pan-European Picture. European Audiovisual Observatory (Council of Europe). Strasbourg 2021.
EUSKO JAURLARITZA (2019). VI. Inkesta Soziolinguistikoa 2016. Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia. Vitoria-Gasteiz
EUSKO JAURLARITZA (2020). KSIak Euskadin. Euskal kultura –eta sormen- sektorearen garapenean zehar ibilbidea. Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia: Vitoria-Gasteiz.
EUSKO JAURLARITZA (2021). CCIs and Innovation Contrast. Open Conference. Bilbao 11-12 November, 2021.
FORTA - USC (2021). Informe Corporativo 2020-2021. Estudio de la situación y tendencias de los medios audiovisuales públicos europeos ante la sociedad digital.
FREEDLAND, Jonathan (2015). Strictly Come Dancing is a success story that could only work at the BBC. theguardian.com. 2015, December 18.
GARITAONANDIA Garnacho, Carmelo & Casado del Río, M.Á. (2007).Television to Save a Language and a culture: The Basque Case. In L.K. Fulller (Ed), Community Media: International Perspectives (pp. 139-150). Basingstoke: Palgrave Macmillan. Doi: 10.1057/9780230604872
GIZAKER (2021). Estudio de preferidos audiovisuales - CAV. Abril, 2021.
GOBIERNO DE ESPAÑA (2021). España Hub Audiovisual de Europa. Plan de impulso al sector audiovisual. Gobierno de España-Agenda 2030.
GUERRERO, Enrique (2007). Los géneros de entretenimiento en TVE 1: Audiencias, Programación y Producción. XX Congreso Internacional de Comunicación. Universidad de Navarra.
GUERRERO, Enrique (2010). El Entretenimiento en la televisión española. Historia, industria y mercado. Barcelona: Centro Libros PAPF, S.L.U.
IKUSIKER – APPLIKA (2019 – 2021). Txostenak. https://ikusiker.eus/
IOSIFIDIS, Petros (2012). Public television in the digital era. Technological Challenges and New Strategies for Europe. Palgrave Macmillan.
KULTURAREN EUSKAL BEHATOKIA, 2018. Arte eta Kultura Industriak 2015. Txosten Estatistikoa. Eusko Jaurlaritza – Kulturaren Behatokia.
LANDABIDEA, Xabier (2015). Euskaldunok eta telebista XXI. mende hasieran. Donostia/ Gasteiz: Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia
LARRINAGA, Asier (2019). Euskal Telebistaren Sorrera, Garapena eta Funtzioa Euskararen Normalizazioaren Testuinguruan. Doktore tesia. UPV-EHU.
MILLER, Toby (2010). Television Studies: The Basics. London and New York: Routledge.
MIPCOM (2021a). Global TV Trends: Who is watching what, how and why?. Avril Blondelot, Fréderic Vaulpré (Glance/Mediametrie). MipCom 2021 Sessions – Cannes. 11 October, 2021
MIPCOM (2021b). Global streamers keynote series: Pluto TV & Discovery+: Olivier Jollet, Myriam Lopez-Otazu. MipCom 2021 Sessions – Cannes. 11 October, 2021.
MIS – EBU (2021). Market Insights. Public Service Media’s Competitive Environment. Media Intelligence Service.
MORAN, Albert & Michael Keane (2006). Cultural Power in International TV Format Markets. Continuum: Journal of Media & Cultural Studies, 20 (1) , 71-86
MORAN, Albert (1998). Copycat TV: Globalisation, Program Formats and Cultural Identity. Luton: University of Luton Press.
MORAN, Albert (2006). Understanding The Global TV Format. Bristol, UK: Intellect.
MORAN, Albert (2007). Localizing Global Television. Media International Australia, 124, 145-155.
MORAN, Albert (2014). Television Program Formats: Their Making and Meaning. In Alvarado, Buonanno, Gray and Miller (Eds.), The Sage Handbook of Television Studies (pp. 205-224). London, California, New Delhi, Singapore: SAGE.
OFCOM (2020). Small Screen: Big Debate – a five-year review of Public Service Broadcasting (2014-18). 27 February 2020.
PARROT ANALYTICS (2020). Navigating Covid-19. Special Report.
PARROT ANALYTICS (2021a). The Global Television Demand Report. Full Year 2020.
PARROT ANALYTICS (2021b). The Global Television Demand Report. Q1 2021.
PARROT ANALYTICS (2021c). The Global Television Demand Report. Q2 2021.
PAVÓN, Amaia & Zuberogoitia, Aitor (2013). Multilingual Practice of the EITB Group and its TV Provision for Teenagers. In Elin Haf Gruffydd Jones and Enrique Uribe-Jongbloed (Eds.), Social Media and Minority Languages: Convergence and the Creative Industries (pp. 224 – 236). UK, USA, Canada (Bristol, Buffalo, Toronto): Multilingual Matters.
PwC (2021). Perspectives from the Global Entertainment and Media Outlook 2021-2025. Power shifts: Altering the dynamics of the E&M industry.
SIGISMONDI, P. (2011). The Digital Glocalization of Entertainment. New Paradigms in the 21st Century Global Mediascape. Springer
STRAUBHAAR, Joseph D. (2007) World Television. From Global to local. Sage Publications.
THE NORMAN LEAR CENTER (2016). What is entertainment?The Norman Lear Center Manifiesto. The Entertainment Initiative. The USC Annenberg Norman Lear Center.
TORREALDAI, Juan Mari (1985). Euskal Telebista eta Euskara. Donostia: Elkar
WASKO, Janet (Ed.) (2005). A Companion to Television. USA, UK, Australia: Blackwell.
ZALLO, Ramón (2006). Basques, today. Culture, history and society in the age of diversity and knowledge. Alberdania.
